Confessions of a Flamenco enthusiast!

This weblog is where I share my love and enthusiasm for Flamenco with the world. Events, my upcoming gigs, as well as featured items like Flamenco shoes, fans and mantons available at Edie Hats, will all be here. As well as my thoughts, musings, and inspirations! If you are interested in what I have to say on other subjects, check out my MySpace page and my Flickr photos.

Friday, March 30, 2007

A day trip to Senovilla Shoes.

A year ago in Feb 2006...while walking down a
cobblestone street in Jerez with Maria Jose Franco on
our way to a private lesson one day...a man who had
been following us..(and I was a little concerned about
this frankly), stopped Maria, and pulled out a pair of
BEAUTIFUL burgandy/mahogany colored flamenco shoes.


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Miguel at the train station. He is the man behind Senovilla!


They were extraordinary in appearance. (I am a high
end shoe junky... and can smell a well made shoe at
eighty paces!) The heel was exposed polished wood.
(turns out it is hand carved rose-wood as makes for great
sounding tacones). When I touched the leather... it felt
like butter. Very different than other flamenco shoes I'd seen,
and obviously hand made. Maria tried on a buff colored
pair right there in the street and bought them.


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The guys at work. A glimpse into the inner workings of the shop.


They obviously knew each other. Maria Jose's
obvious approval endorsed their quality for me. I
asked him if he sold wholesale, and told him I was a
retailer in Vancouver, it took me about week to
convince him I was worth taking a chance on ... and
our business relationship began.


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The Leathers. A beautiful selection of hand-dyed leathers.


This year I am in Seville, and have been selling these
beautiful shoes at Edie Hats in Canada , since my return
last year. Miguel Senovilla invited me to come visit the
workshop north of Madrid, where the shoes are hand made
by 4 artisans. I decided to take him up on it, and make the
trip from Seville.


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The Uppers. Depending on the style of Flamenco shoe, the uppers have different cuts.


I learned about the way the shoes are made. He took me through the whole process ,
and I met the men who make them.

It turns out (and just just like the hat manufacturing
industry) certain processes in the steps to making the shoes,
become one mans' specialty.


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Placing the upper. Whatever your shoe size, there is a "last" that the upper gets placed on.


He may be an expert at cutting the leather for example, as
minuscule variances make a difference in the way the shoe
fits. I learned that the most to be turned out in a day is ten pairs.
(VERY different numbers than the big factories like Gallardo).


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Shoe on the Last. The shoe is really coming together.


They also only produce three days a week as "Life is too short,
and it is impossible to to make art seven days a week" says Miguel,
picking out a typical dish from Segovia, in one of the oldest restaurants
in Spain that he took me to near his home there. His wife, daughter
and he spend their weekends together north in Segovia. This part of
he country is called Castilla and is where he grew up. Very different
than Andalusia. Not much Flamenco here at all.


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Shoes waiting for nails. Nails placed in one at a time, on the heel and toe.


Speaking of Gallardo, Miguel started this business with the son of the
famous Gallardo when Gallardo was bought by a big Japanese company,
and went into mostly mass production. He invested in the equipment
that is used for hand made work, and the two worked together as partners
until two years ago, when Miguel took over, and changed the name to Senovilla.
He has been gaining a respected reputation in Spain since, and his shoes
have become a favorite with some of the most well known Flamenco dancers.


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Nailing the heel. An up close peek at how it's done.


He showed me the lasts that he uses for Yerba Buena and la Farruca for example,
(and yes, they both have small feet, and NO, a last (wooden foot form) is NOT
carved especially for them, and NO, they don't get them for free)


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Miguel and his Shoes. Something to be proud of...these are the most exquisite Flamenco shoes that are still hand crafted from start to finish.


Miguel Senovilla is proud of the quality of his shoes and enjoys the work because
he is also a great fan of Flamenco. His favorite sales stop is the Jerez Festival every
year, where he sees everybody, and takes in the shows. I gained a lot of respect for
him and his work, by spending the day watching, listening, and learning and I am
proud to sell his product on this side of the water.


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The guys and I. The next time you slip on your Senovilla Flamenco Shoes, rest assured they have been lovingly hand crafted just for you!

Sunday, March 25, 2007

"Triana, Triana que bonita esta Triana..."

It's the morning March 15th, and I'm sitting in bed with my doors open to the sounds of Seville waking up. The sun is just starting to break over the rooftops, the doves are cooing, and my favourite pair are sitting together kissing on the ceramic spire of the building across the street.


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The Ceramic Spires I see from my window


We really scored with this apartment. We’re able to use the roof as a practice studio, so don't have to rent, one. Other flamencos come and visit, eat dinner stay over and give private classes. It's been flamenco heaven.


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The Roof a.k.a. The Studio


This morning Bonnie is going to run through with me what we did in my class yesterday with Juana Amaya. I think Juana has a style that suits me, not the fashion in dancing right now that I'll describe as "Modern Curly Confusing Flamenco". My realistic and time limited 50 year old self, went to the general classes and realized if I was going to use anything that could be picked up in 3 weeks here I'd better be directed and focused about it...not be afraid of what anybody thought...(especially Juana Amaya) and figure out myself what I wanted to take back. I gathered my courage, and asked her to give a me simple Solea in which I can concentrate on the aire. I told her (through Bonnie) about my confusion with mirrors and unusual learning difficulties...other than her thinking me very very odd, I think I got my point across. She was very patient with me.


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Juana Amaya and Edie


As for what I saw in the big classes... HOLY OLYMPIC FOOTWORK. These classes are not for the faint of heart or the untrained! Another trend or "fashion "(if you can describe learning trends that way) is super complicated footwork and heavy rhythm patterns. Hardly believable let alone achievable without devoting your entire existence to it. (and some people DO) There are girls that have been here in Seville studying for years. Amazing...but not very achievable, useable, or realistic for anybody in the world of Vancouver gigging.

Having said that...last night we saw a show of the MOST AMAZING musical rhythmical, IMPOSSIBLE footwork. Manuel Lina, Olga Pericet, and Marco Flores did a show with an amazing group of artists backing them. I swear...I saw last night the kind of work that has upped the bar here. It made me want to be 6 years old and starting out.


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Esperanza Singing


Forget the nunnery, "GET THEE TO A FLAMENCO CLASS"!

It was the most spectacular display of human ability -

HOW CAN THEY DO THAT??????????


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Tablao in Seville


The world of Flamenco inside Spain is a different reality than Flamenco in the rest of the world. Of course it couldn't or shouldn't be any other way. It is indeed the Mecca...the petri dish...the cradle...the grocery store of Flamenco to the world. The place where we all choose something to take away, and cook up our own things. It even isn't mainstream in Spain...the Flamenco Puro is still a specialized almost lost, and independent art form. People that we have met who live in Seville, for the most say they don't know much about Flamenco...but they are glad it exists. The young people are generally not so interested in the old stuff. There is much opinion here that it is in danger of being lost.

What I saw last night is only ONE company, ONE style...of the new evolving flamenco that is being performed. And it is nothing short of a an artistic miracle what is happening and originating here...and being shown in the rest of the world.


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Looking into the alley way, one night later protesters filled the streets


The reality for these artists is that they have a very very hard time making a living as Flamenco artists in Spain. The professionals have to tour other countries like Germany, Japan etc etc. Teaching us junkies that come from all over the world is partly how the artform stays alive. And it is a constantly evolving artform...struggling to survive by some people's opinion.

You would think the average Spaniard would be knowlegable about the different forms of Flamenco...but
really...other than Sevillanas...(the folk dance that is the focal point of the huge city party here called Feria.) Generally , ordinary people don't know much more about Flamenco than the tourists do. People that we have met who live in Seville, have told us that no-body is interested much that lives here. They say that don't know much about Flamenco...but they are glad it exists. The young people are generally not so interested in the old stuff. There is much opinion here that it is in danger of being lost.


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The other end of the Alley


BUT once you are in these areas in Southern Spain that ARE the centres and you know where to go - it is a Flamenco junkies' heaven. The only problem is there is too much to choose from. Where do you start to observe and learn? Like any drug of choice - if there are unlimited amounts available, you could just gorge...spend a hedonistic month just plunging in - eating up as much as you can, without necessarily retaining anything...getting burnt out and mighty sick.

Hmmmm...sounds really, really tempting. YUM! GIMME!

Or...in my case (and like life in general for me.) I figure out painfully (for that entails being honest about what I am needing most, and capable of achieving), what my goal is...how much of a financial debt I can get away with racking up...and stick to the plan.


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I'll miss the view from my apartment in Spain


And then (because I am a fashionista/performer/ex-costumer) I will search for the right dress and accessories to match the dance. Fashion as a way of life...and my business. Work research - REALLY !!!! (sigh...and yes...I do realize this is also a thinly disguised female justification to shop!)